Alan Meggs

Al Meggs Ph.D

My work investigates the intersections of hauntology, queering, and place & community, within theatre, cabaret, and dance histories. Through autoethnography and storytelling, I explore performance as both subject and methodology, integrating embodied practice with critical analysis. Drawing on a long career in live performance, I combine a dancer’s discipline and intuition with an archivist’s precision, to bridge creative and scholarly methodologies. My research practice is rooted in hauntology, queering, and place-based investigation, centring on autoethnographic and narrative approaches as methods for exploring community, memory, and performance. By using diaries, interviews, and letters, I became an unofficial archivist, and representation of, the dancers I worked with during my years in a small touring cabaret dance company in Italy. These personal records formed the foundation of my doctoral research, illuminating disremembered histories of performance and embodiment.

I am available for post-doctoral research, guest and conference lecturing, and collaborative academic projects.

Thesis: “Re(-)collecting cabaret. A queer haunted autoethnography of real, researched and imagined stories of cabaret past and present.” Visit Link

Chapter: ‘Disremembered Cabaret Histories’, in Socially Engaged Creative Practice, Contemporary Case Studies (Performance & Communities), Jess Moriarty & Kate Aughterson eds, (Bristol: Intellect Books, 2024), pp. 69-81.

Blog: ‘Recollecting cabaret’ (Association of Performing Arts Collections) Visit Link

Podcast: 5, 6, 7, Academia (Jazz Hands Included). Visit Link

Article: From Dancer to Academic. An Unconventional Path into Academia. Visit Link

Digital Story: ‘Ghostcards from the Meggs’ (University of Brighton, Digital Storytelling) Visit Link
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Work

Stage Manager

2024
Staging Decadence, Decadent Costume
Visit Link

PGRS Ambassador

2022 – 2024
University of Brighton

Volunteer Student Mentor

2020 - to date
University of Brighton

Course Representative / Student Ambassador

2018 - 2019
University of Brighton

Full Time Creative Writing MA Student

2018 - 2019
University of Brighton

Stage Manager

2018
NOVARTIS ANNUAL CONFERENCE

Costume Assistant

2018
Bryony Kimmings. I’m A Phoenix, Bitch
(Battersea Arts Theatre, Edinburgh Festival & International Tour)

Wardrobe Master

2017
The Gabriels Trilogy (Brighton Festival)

Wardrobe Supervisor

2016
Dr. Blighty (Brighton Festival)

Stage Manager

2016 - 2018
Chili Fiesta (West Dean College, Sussex)

Production Manager / Show Caller

2016 - to date
University of Brighton Winter and Summer Graduation Ceremonies

Show Caller / DSM

2016
BIMM Institute Summer Graduation Ceremony

Casual Wardrobe Technician, Stage & Fly Floor Technician

2014 - 2024
Theatre Royal Brighton

Casual Wardrobe Technician / Stage Manager

2014 - 2020
Brighton Dome & Brighton Festival

Production Manager

2014
Kent School Games Cultural Celebration

Support Production Manager

2014
Kent School Games

Choreographer

2014
Midsummer Night's Dream (Midsummer Scene, Dubrovnik)

Show Caller / DSM

2014 - to date
Young Performers Showcase (Various Theatres, London)

Company Stage Manager

2013 - 2014
Cinders (Emporium, Brighton)

Choreographer

2013
Hedgehogs Home (Tabernacle Theatre, London)

Production Manager / Stage Manager

2013
Bash [Argus Angel Award 2013]
Screwed (Brighton Fringe Festival)

Production Manager

2012
Kent's Sporting Legends, A Celebration

Artist in Residence, Drama

2007 - 2012
Sir Henry Floyd Grammar School, Aylesbury

Wardrobe Technician, Swing Dresser

2005 - 2012
Disney's The Lion King (Lyceum Theatre, London)

Stage Manager

2012
TBA PLC In house training video for Barclays Bank

Choreographer

2009
Gay School Musical (Above The Stag)

Assistant Director

2008
Dusty, A Life In Music. Workshops for a new musical

Production Manager / Company Manager

2007
I Love You Because (Landor Theatre, Clapham)
[What's On Stage Theatre Goers Award For Best Off-West End Musical 2007]

Stage Manager

2006
FSA Conference

Movement Director

2005
The Lunatic Queen
(Riverside Studios, Hammersmith)

Stage Manager

2004 - 2017
Make A Difference Trust
[Annual Christmas Concerts]

Resident Director

2001 - 2002
Disney's Beauty & The Beast (UK Tour)

Assistant Director

1998
The Betrayal of Nora Blake (Jermyn St Theatre)
[Observer Musical of the Year]

Assistant Director / Resident Director

1995 - 1996
Chess the musical (UK Tour)

Actor

1994
Spitting Image Peter and the Wolf
[Emmy Award Winner 1994]

A.S.M, Automation Operator, Crew Charge Hand

1991 - 1995
Phantom of the Opera (Her Majesty's Theatre, London)

Dancer / Singer

1991 - 1995
Freelance

Swing Dancer, Swing Singer, Understudy Leonid Viigand

1990 - 1991
Chess, The Musical (UK Tour)

Stage Crew, Dep Automation Operator

1989 - 1990
Phantom of the Opera (Her Majesty's Theatre, London)

Dancer / Singer

1988 - 1989
Freelance

Swing Dancer

1987 - 1988
Time, The Musical (Dominion Theatre, London)

Dancer

1986
Snow White and The Seven Dwarfs (The Broadway Theatre, Lewisham)

Assistant Choreographer / Dance Captain

1986
Directo En La Noche (RTVE. Live TV Series)

Assistant Choreographer / Dance Captain / Company Manager

1985
Hot City Dance Company (Italy)

Boyfriend

1984
Dairy Box Chocolates Advert
Click Here To Watch

Dancer

1984
BeauxArtz Dance Company (London)

Dancer

1980 - 1984
Hot City Dance Company (Europe & Middle East Tours)

Dancer

1980
Angst Dance Company (London & David Essex UK Tour)

Education

Education

University of Brighton

Creative Writing MA. (2018-2019)
Creative Writing Ph.D. (2021-2025)

Arts Educational Schools, London

1978 - 1980

St. Julians Boys School, St. Albans

1973 - 1978

Testimonials

Testimonials

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Dr Al Meggs devised an innovative autoethnographic approach for his thesis, creating an autoethnocabaret that evolves and expands conventional academic writing, drawing on the personal, the researched and the imaginary to inform a wholly original method of writing critical work. He has been able to develop academic writing as an art form which will undoubtedly inspire future work. Al’s research challenges conventional academic writing and is utterly absorbing, vivid and moving.  He has been able to capture a moment in history and a style of dance that would otherwise have been lost and this is a significant contribution to academia and the creative arts. Al is incredibly motivated and hard-working, watching his incredible success with his doctoral work has been nothing short of momentous. He is a terrific writer, a skilled researcher and communicates complex ideas effectively to make them accessible to a variety of audiences. His thesis is a joy to read and it is my sincerest hope that it gets out into the world – it is brilliant!

- Dr. Jess Moriarty
Course Leader, Creative Writing MA, University of Brighton

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Over time I have engaged Al’s services on several major projects as a stage manager and or costume supervisor. He has worked with me on events for Philips, the FSA, Barclays and Samsung. In fact, whenever I am planning such an event Al is the first person I think of when preparing the project. He is now an indispensable member of my team and would not only recommend him to other producers I would say your project will be graced by his presence.
- Steve Devereaux
Producer

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We were blessed to have Al Meggs work as Director's Assistant for the musical, "The Betrayal of Nora Blake". His contribution was essential to the smoothness of the production and I am forever grateful for the task he took on and fulfilled so adeptly and graciously. The whole cast and crew were thankful for his presence.
- Bobbie Horowitz
Producer

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Having employed Al as Production Manager on several projects for Kent County Council, including Kent's Sporting Legends and the Kent School Games Cultural Celebration, he proved to be a highly organised, no nonsense man who was able to keep his sense of humour even in the midst of chaos. Al is committed and will get the job done.
- Natalie Harris
Culture and Sports Events Officer, Kent Sport and Physical Activity Service

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I was first introduced to Al Meggs whilst scouting for dancers as the artistic director and choreographer of the dance company Beauxartz. His peers recommended Al to me and he fast became a fantastic company member and an integral contribution to the success of the company. Not only was his dance technique admirable but also he was always disciplined and good humoured. I had the pleasure of working with Al for many years – first as a company member of Beauxartz and then also as a freelance dancer in the commercial world and I would recommend him highly to anybody who was considering Alan becoming a part of their team.
- Kevan Allen
Choreographer

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